Geometric Composition IV - Oscar Maxera
Hand signed in pencil
Lithograph in colours
From the hand signed and unnumbered limited edition (Aside from the numbered edition of 999 - There were also 150 hors d’commerce and 51 artist’s proofs)
1983
Sheet 15 x 14cm
Published by Meißner, Hamburg
Unframed
This lithograph was part a special edition of prints titled "Artists of the world" (100 different artists) produced for the German Airline Lufthansa in 1983 as an exclusive gift for their first class passengers.
Hand signed in pencil
Lithograph in colours
From the hand signed and unnumbered limited edition (Aside from the numbered edition of 999 - There were also 150 hors d’commerce and 51 artist’s proofs)
1983
Sheet 15 x 14cm
Published by Meißner, Hamburg
Unframed
This lithograph was part a special edition of prints titled "Artists of the world" (100 different artists) produced for the German Airline Lufthansa in 1983 as an exclusive gift for their first class passengers.
Hand signed in pencil
Lithograph in colours
From the hand signed and unnumbered limited edition (Aside from the numbered edition of 999 - There were also 150 hors d’commerce and 51 artist’s proofs)
1983
Sheet 15 x 14cm
Published by Meißner, Hamburg
Unframed
This lithograph was part a special edition of prints titled "Artists of the world" (100 different artists) produced for the German Airline Lufthansa in 1983 as an exclusive gift for their first class passengers.
Oscar Maxera (1927) was born in Buenos Aires, Argentina.
After he finished his academic studies, he went through an early period of figurative style. He was later influenced by the innovations of Modern Art, particularly of those pioneered by the great masters of geometry.
The Geometrical and Op Art movements inspired Maxera to evolve his style into a more technical approach, devoting himself to a profound analysis of colour. He utilized this to express subtle relationships through finely formed and placed geometric shapes.
In 1974, an exhibition was held at the Van Riel gallery where the artist presented his accomplished new abstract paintings, and started a constant expressive exploration of artistic and non artistic materials. Later, in 1981, Maxera settled in the United States where he has been living and working ever since. Maxera’s output has been greatly strengthened and nurtured by the stimuli of this significant change.